This paper examines the sewing needle as a tool for reparation within art practice, and reflects on the capacity for art to heal aspects of self, culture and the environment. Through my multidisciplinary art practice – stitching, installation, writing, and walking – I consider how attentive care and repair can transform grief and trauma; specifically, in the wake of the 2019/2020 fire season on the east coast of Australia; and to a lesser extent, the global pandemic that quickly followed. The work at the centre of the paper is the creation of a blanket wrapped rock cairn, built in my studio during the months-long Greater Sydney 2021 lockdown. The action of stitching remnant pieces of blanket around rocks builds upon Louise Bourgeois’ concept of the needle as an object of psychological repair, bringing individual fragments of creative practice, grief and trauma into conversation. Walking as art practice is both the medium that underpins all the others, and the journey I begin in the fire’s wake. Unable to prepare for a long-planned durational walk while still in lockdown, I instead walk by stitching steps through wool, temporalities and across landscapes, real and imagined, demonstrating how I see walking and the needle as synonymous.