Tegan Jane Schetrumpf writes poetry, essays and creative non-fiction. Published in Wet Ink, Swamp, Contrappasso, New Trad, Theory of Everything, Southerly, Meanjin and Antipodes, she was shortlisted for the 2013 Jean Cecily Drake-Brockman Poetry Prize and is currently undertaking postgraduate research at Sydney University into the turn of the 21st century and its effect on traditional form and narrative in Australian poetry.

The Value of Making

Traditional Form and Narrative in Australian Poetry since the Digital Revolution

In this essay I outline some broad structural and cultural aspects of the digital revolution which may contribute to the renewal of traditional form and narrative in Australian poetry as an expression of the millennial value of making. Firstly, that making traditional poetic forms is partly a response to the structural limitations of websites and e-readers, and culturally a response to the remediation of poetry to the perceived temporality and instability of the internet. I briefly associate Manovich’s argument that the database is the enemy of the narrative with the new ‘empirical turn’ in the humanities and suggest that strongly narrative poetry is reacting against the digital preference for the number. Finally I note the strategies of a smooth grammatical line and ‘bardic’ stance as a way for ‘professional’ authors to differentiate themselves from online amateurism.