Paul Munden is Postdoctoral Research Fellow at the University of Canberra, where he is also Program Manager for the International Poetry Studies Institute (IPSI). He is General Editor of Writing in Education and Writing in Practice, both published by the National Association of Writers in Education (NAWE), of which he is Director. He has worked as conference poet for the British Council and edited Feeling the Pressure: poetry and science of climate change. His collection of poems, Asterisk, based on Shandy Hall, former home of Laurence Sterne, was published (with photographs by Marion Frith) by Smith/Doorstop in 2011. Analogue/Digital: New and Selected Poems was published in 2015, also by Smith/Doorstop.

Door into the Dark

Laurence Sterne’s black page—and beyond

When Sydney’s Daily Telegraph marked the death of cricketer Phillip Hughes in 2014 with a full black page, it added to the catalogue of works relating to Laurence Sterne’s black page in The Life and Opinions of Tristram Shandy, Gentleman that marks the death of Parson Yorick (p.73 of Vol. I of the original edition). The black page may be a meditation on absence but it also evokes—through that absence—the world of light in which a character played his or her part. With reference to The Black Page catalogue published by the Laurence Sterne Trust in 2010, which featured commissioned works by 73 writers and other artists, the author here describes his own contribution and explores how other artists’ multimedia works have approached the challenge of depicting light where apparently there is none.