This article outlines some of the challenges of writing critically, and creatively, from both inside and outside relationships, experiences, and cultures. It questions how the lived experiences of a WWII displaced person from Poland, an economic migrant from Italy, an abandoned son in the Ukrainian Soviet Socialist Republic, and a peacetime second-generation immigrant in England can be represented through double dialectics to provide ‘nuances that mediate between relativism and objectivism to offer creative avenues of thought [not only for] contemporary ethical and epistemological problems’ (Moscovici 2002), but also for writing a creative post-memoir that operates beyond empiricism.
Remember this man?
Double dialectics in a hybrid post-memoir