For five years, colleagues from the University of Canberra’s Centre for Creative and Cultural Research have held an annual letterpress workshop, to which they bring their own writing to set and print. Initial expectations about ideal presentation shifted ground when faced with the intricacies and possibilities of the process. This is an account of their experiences that combines insights from participants with framing observations from my own experience with letterpress, typographic layout and its relationship with creative writing.
Axonalogue
5 years of experiential materiality